marrypotter:

Chad Wys

(via fishtailady)

El Anatsui

Noor Fares - so in love with this piece

(Source: p1ss, via waveandbirch)

uncertaintimes:

Ivan Bilibin, Vasilisa the Beautiful, 1899-1900, 1902.  ∞

uncertaintimes:

mythologyofblue: everythingsmental: Agostino Arrivabene

(Source: dogproblem)

“Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is “I desire you,” and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure. ” 
― Roland Barthes, A Lover’s Discourse: Fragments

ivegotthemeanreds:

mudwerks:

theshipthatflew:

Water Nymph from the Goldfish Pond by Franz Hein

 via heavymettle

(via heavymettle-deactivated20111009)

turnofthecentury:

Charles Gilhousen, Seated Nude Female Touching Tree, 1919 [also]

Dulac - little mermaid 

my sister lise was a brilliant women.  my dear friend told me that she knew of her before meeting me. that at CUIT there is a huge poster of her and people would talk such nice things about her.   my memories of her are little little jewels i’ll keep forever.